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Cull a film roll on iPhone — pick, star and reject frames on the contact sheet

Go through a developed Filmode roll like a photographer: Pick, Star or Reject each frame, filter the contact sheet, then save only the keepers.

2026-09-16 · 4 min read
On this page
  1. Mark a frame
  2. Filter the sheet
  3. Save the keepers
  4. Order Prints: not yet
  5. Free and Pro
  6. Tips for culling a roll
  7. Frequently asked questions
  8. Try it

A developed Film Roll opens as a contact sheet: every frame, numbered, in the order you shot it. That is the fun part. The next part is the one photographers have always done with a loupe and a grease pencil — going through the sheet and deciding which frames are worth keeping.

The contact sheet in Filmode now has the tools for that: mark each frame as a Pick, a Star or a Reject, filter the sheet to what you marked, and save only the keepers to Photos in one tap.

A developed nine-frame roll's contact sheet with pick, star and reject badges, rejected frames dimmed, and Save picks (4) in the top bar.
A developed nine-frame roll's contact sheet with pick, star and reject badges, rejected frames dimmed, and Save picks (4) in the top bar.

Mark a frame

  1. Open a developed roll from Developed rolls in the Film Roll sheet, or straight from the contact sheet after it develops.
  2. Tap a frame to see it full size.
  3. Tap Pick, Star or Reject under the photo. Tap the same button again to take the mark off.
  4. Tap Close to go back to the sheet and open the next frame.
A single frame from a developed roll with the Pick, Star and Reject buttons under it, and Save to Photos and Edit below.
A single frame from a developed roll with the Pick, Star and Reject buttons under it, and Save to Photos and Edit below.

What each mark means:

  • Pick — a keeper.
  • Star — a favourite. A starred frame is also a keeper.
  • Reject — not this one. A frame is either a pick or a reject, never both.

The marks keep each other honest. Rejecting a starred frame takes its star off, and starring a rejected frame un-rejects it, so a frame can never be a starred reject.

Back on the contact sheet, every marked frame carries a small badge — a checkmark for a pick, a star for a star, a cross for a reject — and rejected frames are dimmed, so you can see how the edit is going at a glance.

Filter the sheet

Above the contact sheet sits a switch with three views:

  • All — every frame on the roll.
  • Picks — every keeper: frames that are picked or starred, and not rejected.
  • Starred — only the starred frames.

If a filter has nothing in it yet, the sheet says so — No picks yet. Open a frame to pick or star it. The frame numbers stay the same in every view, so frame 07 is always frame 07.

On iPhone the sheet is three frames across; on iPad it is five.

Save the keepers

As soon as a roll has at least one keeper, a Save picks button appears in the top bar with the count, such as Save picks (5). Tap it and Filmode saves every picked or starred frame that is not rejected to your photo library, in order, and tells you how many were saved.

You can still save a single frame with Save to Photos when you open it, or send it to the editor with Edit.

Order Prints: not yet

At the bottom of the contact sheet there is an Order Prints button. To be clear about what it does today: nothing is ordered and nothing is charged. Printing is not available yet. Tapping the button tells Filmode you would like prints of your rolls — it counts the request and shows Prints are coming soon. If enough people ask, it helps decide what comes next.

Free and Pro

Culling is free. Pick, Star, Reject, the All / Picks / Starred filter and Save picks work on every developed roll, with or without Filmode Pro. Pro changes the rolls themselves: 24- and 36-frame rolls and the Surprise develop option.

Tips for culling a roll

  • Do a fast first pass. Go through the whole roll once and only Pick. Do not think about favourites yet.
  • Star on the second pass. Switch to Picks and star the few frames you would print or post.
  • Reject only when it helps. You do not need to reject every miss — frames without a mark are not saved by Save picks anyway. Reject is for frames you want to dim out of the way.
  • Save, then edit. Save picks copies the frames as they came off the roll. Open any frame with Edit to crop or grade it afterwards.

Frequently asked questions

Does rejecting a frame delete it? No. A rejected frame is only dimmed and left out of Save picks. It stays on the roll; the only way to delete frames is to throw away the whole roll.

Are my marks saved? Yes. The marks are stored with the roll, so they are still there when you reopen it from Developed rolls.

Can I cull a roll that is still developing? No. The frames are hidden until the roll develops. Use Develop Now if you cannot wait.

Does Save picks save starred frames that are not picked? Yes. A starred frame counts as a keeper whether or not it is also picked.

Can I actually order prints? Not yet. The Order Prints button only records that you want prints. Nothing is sent to a lab and nothing is charged.

Try it

Develop a roll in Filmode, go through it once with Pick, switch to Picks and tap Save picks. New to rolls? Start with the Film Roll guide, or try a Weekend develop for the full lab feeling.

The series

  1. 1. Filmode in 50 seconds — a guided tour of every feature on iPhone, iPad and Android
  2. 2. Match Photo on iPhone — copy the colour of any photo onto your own
  3. 3. Film Roll on iPhone — load a roll, shoot it blind and wait for it to develop
  4. 4. Weekend and Surprise develop — make your iPhone film roll wait like a real lab
  5. 5. Cull a film roll on iPhone — pick, star and reject frames on the contact sheet
  6. 6. Shared Roll — a disposable camera for your wedding or party, with a QR code
  7. 7. Booth Mode — a four-shot photo booth strip on your iPhone camera
  8. 8. 100 trend looks in Filmode — six packs and how to pick the right one
  9. 9. Pro optics on iPhone — anamorphic flare, Pro-Mist, tilt-shift, Aerochrome and zoom burst
  10. 10. Manual camera controls on iPhone — ISO, shutter, focus, EV and white balance in Filmode
  11. 11. Exposure aids on iPhone — histogram, waveform, focus peaking, zebra and false colour
  12. 12. Camera recipes on iPhone — save your whole camera setup and recall it in one tap
  13. 13. Drive modes on iPhone — burst, bracketing, interval, long exposure, focus stacking and dual shot
  14. 14. Getting started with Filmode — from first launch to first export
  15. 15. How to edit a photo in Filmode — the complete walkthrough
  16. 16. Grading with film LUTs — collections, intensity, favorites and recipes
  17. 17. Beyond the preset — 13+ manual adjustments, curves, HSL and the histogram
  18. 18. Fixing colour: white balance, the eyedropper, and Auto
  19. 19. Curves, Tone and HSL — the three tools that separate an edit from a filter
  20. 20. Crop, straighten and reframe — composition after the shutter
  21. 21. The 25 film effects, and when each one is the right answer
  22. 22. Remove Spots and Body Retouch — retouching without the plastic look
  23. 23. Recipes — save a look once, use it forever
  24. 24. Bring your own looks — importing .cube LUTs, LUT images and .xmp presets
  25. 25. Make your own LUT on iPhone — save any edit as a reusable look and export it as .cube
  26. 26. Batch Edit — one look, a whole shoot, one tap
  27. 27. Projects and History — nothing you edit is ever lost
  28. 28. Five looks, five scenes — step-by-step edits you can copy
  29. 29. The Live LUT Camera — compose with the look already on
  30. 30. Export, compare and frame — the last screen before you post
  31. 31. Filmode on the Mac — the same editor, in a desktop window
  32. 32. Pro, imported presets and the Filter Store — how the library grows
  33. 33. Filmode Vibe on Android — two skins, five effects, seven looks
  34. 34. The Vibe board — pinned polaroids, three views, and shared boards in the cloud

Get Filmode

Free on the App Store for iPhone, iPad and Mac. Filmode Vibe is on Android, and the web camera runs in any browser.